Me I perceive these two subjects as ‘identical twins’ (but sister twins). Mishra belongs to Department of Sociology and Iīelong to Department of Philosophy therefore sometimes I find we belong to sister departments and believe
Mishra’s to have a seminar on Indian Cinema. Yes, I am proud to be part of this seminar as Indian Cinema is almost winding up hundred years of its inceptionĪnd my institute, Ramniranjan Jhunjhunwala College its fifty years of its inception. Have progressed tremendously in these last 100 years to be accepted not just within India but overseas as well is Introduction to the theme of the Seminar by the ConvenersĪt Cannes Film Festival – 2013, the great living legend of Indian Cinema, Mr. Life: but above everything tending to give and serve as 'entertainment and reformation of society’ respectively. Indian cinema has been many – art and aesthetics, social issues, philosophical aspect - wrapping over all Indian With ethics and morality as objective (or subjective) mirror giving moral lessons. Indian Cinema has seen the uprising of social and philosophical upheavals, cinematographic and artistic ascend Therefore, Indian cinema has not remained at its dormant stage as it was way back in the past. The SocioPhilosophical elements especially concerning Indian scenario has been the governing factor of Indian cinema. Today cinema also tends to incorporate the element of ethics, more like a 'moral-police'. Generic sense of 'Indian-ness' element too. We celebrate hundred years of Indian cinema, we must inevitably celebrate this plurality, along with more By this, Indian cinema became more porous which continued till date. The glorious past and cultural diversity of India was ref1ected in films. The post World-War II saw the change in the technical and conceptual element of IndianĬinema.
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The traditional values, norms, rituals, customs,īeliefs, folk-arts, folk-traditions, and literature in India are all in the process of change due to the impact ofġ913 saw the introduction of full length feature film in India called Raja Harishchandra directed by Shri Dada So the impact is reciprocal, that social lifeĮxerting its impact on cinema and cinema influencing social life. Religions, tribes and communities thrive and survive at the same time. Indian cinema has a distinct feature of its own as India as a country is distinct in the world. Revolutionizing the media world but in the impact it has exerted on social and ideological life of human beings Among the different facets of mass-media, cinema has played a key-role in not only InĮvolutionary process of science and technology, mass-media has contributed immensely towards change - be it The pace of social change is variegatedĭepending on spatio-temporal factor but majority of Sociologists and Philosophers across the globe are on oneĬonsensus that social change has accelerated due to the advent of science and technology at empirical level. Social change is an intrinsic feature of all societies across the world. O Indian Diaspora in Indian Cinema: Cross- Cultural Dialogue O Socio – Philosophical Perspective of Regional Indian Cinema O Position of Women in Indian Cinema – A Feminist Perspective O Socio – Philosophical Perspective of Indian Cinema in Contemporary Times O Socio – Philosophical Perspective of Indian Cinema in Post – Independent India O Socio – Philosophical Perspective of Indian Cinema in Pre – Independent India Usha Mukundanįrom the desk of the Secretary of Hindi Vidya Prachar Samiti Introduction to the theme of the Seminar by Dr. Ishaan Graphics (Ghatkopar, Mumbai) - 9833872467 No parts of this publication may be reproduced in any form or by any means, without the written permission ofĪuthors of the articles are responsible for the contents and the references in their articles.ĭepartment of Computer Science, R. Pu blished by Department of Sociology and Philosophy Ramniranjan Jhu njhu nw ala College JHUNJHUNWALA COLLEGE, 5 TH AND 6 TH JULY, 2013. IN RETROSPECTION (SOCIO-PHILOSOPHICAL PERSPECTIVE)”ĭEPARTMENT OF SOCIOLOGY AND PHILOSOPHY, RAMNIRANJAN “100 YEARS OF INDIAN CINEMA – ISSUES AND CHALLENGES
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